My Design Notes

Aarni's personal notes on design

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      5 Mar 2012

      Crowdfunding Wishbhone

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      Helsingin Sanomat (leading Finnish newspaper) published today an article on crowdfunding titled "A Business Angel Sits in a Livingroom". The author, Jussi Pullinen, mentions Wishbhone and how they got funding to realize a simple but brilliant idea that every earphone wearer appreciates.

      On their website the Wishbhone writes, "The story behind Wishbhone began with a problem - our earphone cords were always tangled up causing a lot of frustration and stress. There were some cable managers on the market, but all of those seemed to be clumsy, and could not be properly integrated into earphones. We wanted to fix this problem, and well, we did!"

      The company presented their idea on Kickstarter, "the world's largest funding platform for creative projects." They got preorders from 1450 individuals, raising a total of $29,858.

      The product is now available for ordering. Check it out at http://store.wishbhone.com/

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      14 Feb 2012

      The untapped value of design

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      A study published in January 2012 of 1,380 Finnish companies shows that most businesses don't consider design to be a competitive advantage. Quality, reliability in delivery, sales, pricing, marketing, logistics, and brand are more important, according to the respondents.

      There hasn't been too much research on the business value of design. Some Finnish studies seem to suggest that design investments have a positive return. The best performers have managed to integrate design with R&D, marketing, and strategy. The benefits to this approach include accelerated growth of production and sales, and product and service differentiation.

      The researchers asked, “what is design?” Four out of five respondents replied that it is the aesthetic design of objects. The responses that design "means customer centricity" or "is vital to a company's existence" got the least support.

      Less than 20 percent of the companies had invested considerably in design in the last two years. Little over 30 percent had invested slightly, and 10 percent had made no design investments whatsoever. 

      Chart1

      Those that had invested some or nothing reasoned that design was not suitable in their industry, or that they could do well without it. One-fifth that had negative attitudes said that design would take too much time and resources. Over half of the skeptics felt that hiring a designer would be too costly or difficult.

      Chart2

      Those who responded that design is the basis of their operations had to answer additional questions. Seventy-eight percent of them said that design is an element of all development of products or services. Six out of ten thought that design comes from inside the company, and 20 percent responded that it derives from the customer.

      Why does design improve quality, according to the supporters? Sixty percent felt that design improves the usability, ergonomics, and durability of products. It reduces waste and errors, and makes products and services environmentally friendly. It also helps companies differentiate themselves from their competitors.

      Companies that rely on design said that it speeds up market entries and that customers are willing to pay more for great design. Those who incorporate design into their strategy consider it to be a resource.

      The study "What design means to companies" was conducted by the Association for Finnish Work in co-operation with four other Finnish associations.

      Charts by AE Partners Oy

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      5 Dec 2010

      A 1960s chair still going strong

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      I've always liked Eero Aarnio's iconic Ball Chair. He designed in early 1960s, and it's still in production. A couple of weeks ago I spotted a group of these chairs in a lobby of a Finnish insurance company (my photo below).

      Chairs

      What makes the chair stand out? It geometrically simple, futuristic, and yet timeless. It is protective, secluded, a space within space.

      Aarnio describes the birth of the chair at www.eero-aarnio.com,

      "We had a home but no proper big chair, so I decided to make one, but some way a really new one.

      After some drawing I noticed that the shape of the chair had become so simple that it was merely a ball. I pinned the full scale drawing on the wall and ‚sat' in the chair to see how my head would move when sitting inside it. Being the taller one of us I 'sat' in the chair and my wife drew the course of my head on the wall. This is how I determined the height of the chair. Since I aimed at a ball shape, the other lines were easy to draw, just remembering that the chair would have to fit through a doorway."

      Aarnio made the first prototype himself.

      "I covered the plywood body mould with wet paper and laminated the surface with fiberglass, rubbed down the outside, removed the mould from inside, had it upholstered and added the leg."

      The chair was on display at the international furniture fair in Cologne in 1966 and made the designer famous.

      Being an icon, the chair has been imitated. One well-known unauthorized, faux Ball Chair has a polished metal pedestal. There's a whole page at eero-aarnio.com dedicated to spotting fakes.

      A new model of the chair – Ball Chair Audio – has a sound system.

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      28 Jun 2010

      Exiformat - The wizard of Expo 2010

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      In May I visited Exiformat, creator of a unique software platform for interactive exhibitions. CEO Timo Koho showed a scaled-down model of the Shanghai Expo 2010 panorama of the Finnish pavilion.

      Exiformat is capable of creating very large virtual displays that ingeniously mix different presentation and interaction tehcniques into a seamless experience. Hope we'll see their system applied to other innovative exhibitions in the near future.

      Exiformat
      Photograph by Lucas Schifres, Finpro/Finland at Expo 2010

      www.exiformat.com

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  • My Design Notes

    I'm the founder and CEO of AE Partners. Here are my personal notes on issues related to design.

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